About

Art-monkey writes stories. Sci-fi nerds unite!

Red Alert! Red Alert!
Science Officer Scheckler detects a space-borne thingamajig!

The obligatory official bio goes like this…

Gregory Scheckler crafts fiction and art. His writings can be found at World Weaver Press, the Berkshire Review for the Arts, The Mind’s Eye, and Thought & Action. He graduated from Clarion West in 2018, and holds degrees from the University of Notre Dame, Utah State University, and Washington University in St. Louis. He also serves as Professor of Art at the Massachusetts College of Liberal Arts. His paintings, drawings, and photos were exhibited in over a hundred shows, including Ferrin Gallery, the Bennington Museum, and the National Science Foundation. When he’s not writing, artmaking, or teaching, he and his wife ski and bike the Berkshires and tend their solar-powered home in the company of two fuzzy cats.

Contact

Please email authorATgregoryschecklerDOTcom Email sometimes checked intermittently — please be patient. 🙂

This Scheckler guy’s both an artist and an author…

It’s true. Scheckler’s been exhibiting professionally since the early 90’s, across drawing, painting, and photography. His artworks were in exhibits with Ferrin Gallery; Kolok Gallery; Gallery 51; Metro One Gallery; Sivertson Gallery; the Soo Rye Art Gallery; Greylock Arts; as well as at museums such as the Duluth Art Institute; Utah Museum of Fine Arts; One West Art Center; the Boyden Gallery at St. Mary’s College of Maryland; the Bennington Museum in Vermont, and the Berkshire Museum in Massachusetts. Additional venues include the Center for the Visual Arts Gallery at Illinois State University; and the National Science Foundation. Via the Associated Press, his photos were published by the India Times, Press Enterprise, CBS News, Forbes, and the Wall Street Journal.

Here’s one of his older paintings:

Field of Probability, 18×24 acrylic on panel, by Gregory Scheckler

Why Both Art and Writing?

Writing and artmaking are survival strategies, playgrounds, ways of thinking, and cores of our humanity. Without storytelling, humanity’s languages and cultures do not exist. Yet storytelling is imperfect, and so the world needs more imagination, from all walks of life, to lay waste to the nationalist, racist, greedy bullshit that is actively destroying our chances for equality, justice, collaborative thinking and sustainable futures. Critical pieces of that puzzle, for me, are the roles of the sciences laced through our creativity. Reflecting those roles, I tend toward science fiction and science extrapolation for storytelling and artmaking. Not that writing and art should be propaganda, but we can examine our lives through compelling viewpoints, worldviews, vivid representations, and emotional throughlines. I believe that the more diversity, reasoned disagreement, and creative directions we can provide each other, the better our chances of finding exquisite ways to survive, adapt, and grow.